elizabeth: laptop with notebook & pens (laptop)
2011-08-14 08:02 pm
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OH MY GOD just once I would like to be as smart as my poetry and my fiction is. (Are?)

::headdesk::

I was looking through some of the unfinished poetry manuscript, and pulled out the three poems that came out of my relationship with my last girlfriend. One of them is superficially not about any relationship much less a romantic one, but I have always been convinced that it is "a [redacted] poem."

Yes. Yes, it is. It is about what I have to offer in a relationship, what I think my worth is to a partner. And it was my relationship with [redacted] that taught me that I am totally fucking baffled by what someone is attracted to in me. I am still not sure what she saw in me that she wanted to pursue. (She, uh. Was definitely the -- aggressor sounds wrong, but I would not know she had ever been attracted to me, to this day, if she had not come out and said, in words of literally one syllable, "I like you. Can we kiss?" I am so incredibly dense sometimes it amazes even me.)

(The poem is this actualfax content wrapped in an elaborate metaphor; it will be vastly amusing, if/when I publish it, to what any critics have to say.)

Apparently I think that I can offer a certain amount of superficial beauty, the kind that is interesting to the discerning, and more crucially, hard work. I think my real value in a relationship comes from the (metaphorical) steel spine I developed as an abuse survivor. I survived my father, and I therefore have an incredible capacity to survive and do the work that needs to be done, emotionally, no matter how painful. I am utterly unafraid of commitment. If I think a relationship is worth it, I will pour in as much effort as it takes to make it work. (Of course, having survived estranging myself from my father as a teenager, I am also aware of how possible it is to cut my losses and walk away from a relationship that is poisonous.) If I love you, if you are my partner, my commitment to you is absolute.

And I expect this to be recognized and respected. This capacity for work, this devotion and commitment -- I want my partner to be aware of this, and for it to be one of the things zie thinks of when zie answers the question, why do you love [personal profile] elizabeth?
elizabeth: woman with a red umbrella walking into a storm (Default)
2010-07-20 10:06 pm
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Looking at this enneagram test made me a little sniffly tonight. It was so hard to answer a lot of questions because so much of my behavior over the last four years has changed because of my depression. I have become so much more aware of the weaknesses in my character — I knew I procrastinated when I was 17, but when I was 20, procrastinating and avoidance came damn close to fucking up what I had wanted for my life since I was a child. I have learned to be cautious, to hold back, to watch myself, and while this behavior keeps me healthy, keeps me functioning, I wish I still ...I wish I didn't feel like second-guessing myself was so necessary, maybe. Something like that.

In many ways, the person I was at 17 was a stronger, more myself-ish, person than I have been ever since. Or maybe I'm just falsely nostalgic. Some days, I feel like depression took everything from me and it left the gaps; my experience of depression was primarily one of diminishment.
elizabeth: black and white woman's torso (black and white)
2009-05-02 05:49 pm
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The dance studio at Movement Research has bad mojo.

I've been going to contact improv jams there for a few years, and in that time, there have been maybe two jams that have left me high on endorphins the way I always hope for. There have also been jams that leave me trembling with panic, hollow with loneliness, inadequate in every way. Contact improv is supposed to be ideal for those of us who love dance but are limited in our talent, it's only minimally about technique, what matters is the experience and the completeness of participation....except that the people who attend Movement Research are often professional dancers, yogis, flexible and strong in a way I am not. I feel inadequate and fearful (of doing myself physical harm, of hurting someone else, of having another panic attack) there. Bad mojo.

If and when I am stronger physically, trust my body more, maybe I will go back. But for now, I think I will stick to the university's dance department, which is there for me to learn from, and the jam at Children's Aid, which really does have all levels of skill, and where people have fun.
elizabeth: woman sitting next to a window in jeans and bare feet (window)
2009-03-18 06:16 pm
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Well, she said, I suppose it's good that I've never been overly invested in the body-as-self thing.

My glasses broke last night, and so today I've been wearing prescription sunglasses all day — it's a long story about why I can't get a new pair until Friday at the earliest, and I'd be surprised if Monday weren't pushing it — looking at the world through a glass darkly, frustrated with the warping of color and how damn heavy the lenses are. I can read print without my glasses, I can walk, I can write and type, but I can't work on code. Guess what I'm working on for the next week? yeah. But that's not the important thing.

The interesting thing is how my near-blindness divorces me from the world; I can see color and movement, some amount of depth of field — I'm not legally blind, I don't even think I'm that close to it, but I am barred from participating in the world without technology, assistance, aid. Which I'm used to, I've worn glasses since I was seven, I feel more naked without my glasses and wristwatch (which I've worn every day since I was eleven) than I do without clothes. But I rarely identify myself with glasses; I tell people, I'm the woman in the white shirt with the laptop along the back wall, you'll recognize me, I have a turquoise messenger bag and a big red coat. You'd think I don't have a face.

And to have something so valuable brought home as so vulnerable — it is hard to function without being able to see except in great swathes (she says, from her position of usually being able to do so without overly-complex machiations), and I can't rejigger the world to function better for me while I wander through it. All I can do is hope not to get hit by a car.

But I wrote some good code at work today despite how hard it was to see the screen, and I don't feel broken; I feel irritated that the kitchen full of my roommates' dishes, pleased that I have time to do laundry tonight, achey in the good way along my shoulders (it is possible to use the erg without being able to see what you're doing; stupid, but possible). It's the minutiae, the practical details, that get my attention and my concentration — I am left to ...I can't even think of a verb. What does it mean, to carry a common symbol of deficeit with me always? My vision is not connected to my depression, not exactly, but they both come (at least partially) from the same genetic source, and even if near-sightedness has no moral resonance in the modern world, it shapes my world just as my anxiety attacks do. I can't be a pilot, I can't spend my morning taking the phone calls off my to-do list; these things are so far outside the realm of possibility so as not to even exist for me. I barely even think of them as limitations, boundaries, something that separates me from other people.

When I wrote about depression, my body is a metaphor, not a location. And yet — I live in my body, I'm attuned to and aware of it, I respond to it and demand things of it. I'm a dancer, have been since before I've worn glasses — and yet.
elizabeth: woman with a red umbrella walking into a storm (Default)
2008-10-20 04:32 pm
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You can't even tell I hennaed my hair the night before last. I can, but no one else can. I mean, not that I want to go screaming red, but I would like to feel as though someone in my life actually looks at me, not just acknowledges the space I occupy.

Reposted from IJ, 16 March 2009.
elizabeth: woman with a red umbrella walking into a storm (Default)
2008-08-31 07:45 pm
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My stepdad's company had a party last night, where I had a really nice makeout session with one of the other guests.

The thing that makes me happiest about that, actually, is not the fact that I have been longing for physical contact for a while, not the fact that he was really cute and smart and funny, none of that. I'm happiest about the fact that I was myself and he wanted to make out with me, wanted to kiss me; I was geeky and a smartass and outspoken about my feminism and I never once lied about what I wanted or thought. I'm not sure if I forgot to lie, or if I remembered to tell the truth. They're not the same thing, not quite. But my point was — I have empirical evidence that my geeky, smartass, feminist self can get the guy now. I really haven't had that before, and while I was willing to hold out for it, it was beginning to feel really lonely — as if I was going to have to work someone up to being okay with my full personality. People like that may be rare but they exist. I always knew that, but it's good to know it-know it. Plus the kissing was fun.

It was a good day, notwithstanding the fact that I didn't get back to my stepdad's place until one in the morning, still woke up at six-thirty, and am so tired I feel nauseated.

Reposted from IJ, 20 March 2009
elizabeth: woman with a red umbrella walking into a storm (Default)
2008-04-14 04:16 pm

(no subject)

I am trying to believe that the fact that Elizabeth Edwards's memoir just brought me to tears is a good thing; for so long I have been convinced that I am an emotional cripple when it comes to grief. I don't cry easily. I did not weep when my grandfather died, nor when I fled my father. The last time I remember crying was both in anger and in grief -- no, that is not true. I cried myself to sleep a few months ago when a friend of mine (and my father's) upset me by pushing me to reconsider my stance on him. The time before that was, god, months before, when I asked my mother why my father had gone back on a promise to take me to France when I was thirteen. I had never known why, and when I finally found out, I cried that night, so hard I couldn't breathe, almost a decade late.

Maybe now I am comfortable enough with my own anger and my own capacity for grief in a way I have never been. Maybe that means that my empathy, always stifled, is something I can express now. I don't know, but that's okay.

Reposted from IJ, 16 March 2009